Plow Man

The short account consider reality (2004), written by Jessica Grant, is include in the collection Making illuminance of Tragedy. This collections deed is significant for Grants story because the teller gravitates to funniness to deal with two the ill-doing and sadness he is feeling. This act will take a deeper project into the land sites where comedy is used as a header mechanism to deal with the vote counters guilt feelingsy conscience including how he deals with the conflict of the wind and century, the projection of his negative attitude onto others and his in aptitude to let go of the material things still tying him to jennet.The cashier uses comedy as a coping mechanism to help alleviate the guilt felt since losing his wife. Throughout grow Man the fibber is struggling to ward away(p) guilty feelings since his wife, Jenny, has passed. His remorse is conveyed in a humoristic manner, particularly when proceeding to take on the elements. The narrator amusing ly views the overwinter context as a villainous system, integrity that he feels is overpowering and out of his control.To pull through his guilt, the narrator plays a victim to the winter storm, instead of taking control and shovelling his street. The subscriber is satisfactory to view the comedic flair of the narrator, as he challenges the storm, by stating, It aims for your chest. It picks a fight. If Im inside, it unleashes its fury on the drivewayCome out here no. Fuck you (95). The readers overview of the situation, astute a blizzard does non consciously take out frustrations on people, creates the socialise conflict.However, by forfeiting control of the situation, the narrator is able to reduce the guilt that he feels for not shovelling. Assisting in criminal behavior by slashing tires is another representation how the narrator relieves his guilt in a comedic way. He views the plow men as outlaws that be continuously burying him in snow, inhibiting his ability to amount to his wife. The narrator describes the plows as yellow-jawed monsters (99), which is an unlogical concept, as the lifeless plows argon just driven by men who are doing their jobs.The narrator is able to alleviate guilt associated with not being able to get to his wife by supporting the last of the vehicle that he foolishly believes is burying him in snow on purpose. The mobile phone phone bill resembles the narrators final physical tie to Jenny. As one of her last requests, Jenny asked that he promised to keep her cell phone with her in case theres a chance she needed to contact him. The narrator realizes that this request is unreasonable however, he feels bligated to discover the request of his deceased wife. In a conversation between a run representative and the narrator, he recognizes the hilarity of the situation Id like to snuff it it open indefinitely. Which started me laughing again (96). The narrator makes the decision to maintain his wifes wishes, knowing th at he will evermore be tormented by the periodical phone bill. However, he would rather alienate his own well-being, than face the guilt that he would experience if he was to terminate his wifes cellphone account.In conclusion, throughout the Plow Man written by Jessica Grant, comedy is used to relieve the narrators guilt through the difficult conditions he is facing. The reader witnesses an attempt to alleviate guilt using humor in situations that include, the snow storm, slashing the tires of the plow men and the narrators inability to cancel Jennys cell phone in order to fulfill his promise to her. working Cited Grant, Jessica. Plow Man. Making Light of Tragedy. Erin, ON The Porcupines Quill, 2004.