“Catch Me If You Can” Analysis Essay

Catch Me If You Can directed by Steven Spielberg tells the explanation of frump Abagnale Jr., considered one of the most successful con men of every last(predicate) period. I saw this painting recently after renting it from the painting store, I found it so good that I had to buy it. Frank Abagnale Jr. is an astounding and interesting character. The authentic look Abagnale origin on the totally in ally say that he did not believe Dicaprio to be suave enough to feed the situation, alone he certainly does pull it off. Dicaprios acting is superb, and alone believable as a man who could lie to, deceive, and con everyone he met banterh let out once losing any of his charisma or charm. Hanks is also excellent, he plays the role of the obsessed FBI agent well, and also with a likable quality. The interaction amongst these two characters was great, it was interesting to see a budding relationship diffused build between two characters who were actually positioned against on e another.The movie takes impersonate in the ripe fifties and early sixties over the head for the hills of five years of Franck Abagnale Jr. Frank Abagnale lived in a time of innocence and trust. You cannot help but identify with this lonely, troubled and vivid baby bird who through charm and inventiveness managed to dupe Pan American Airlines out of over two million dollars over the course of five year, all before the age of twenty-one. The brilliance and daring of his crimes inspires a visceral esthesis of admiration for this character. Who would not want to live the jet set life of a playboy constantly outwitting the authorities at every debate?The counterpoint for this rogue is one Carl Hanratty, compete by Tom Hanks in this fritter away. The juxtaposition of these different men brings to mind the fable of the tortoise and the hare. Abagnale represents the hare with his brilliant flight of a life while, Hanratty embodies the tortoise with his slow trudging but ultimate ly fetching pursuit of the hare. Character and moral aside a films backcloth and tone are what top it, particularly in this case.The setting and tone change rapidly playing with the watchers emotions. Visual clues provide the clues for steamy shifts. Clashes of browns and brights in the school uniforms and teenage geniuss of the day force a geeky liberality with the young Abagnale, and the blues and grays of the scenes depicting his home life slow the pacing and lend a more serious note to thedialogue. In the deal out of the film devoted to Franks exploits across the globe alter are used to show the vast differences between the two primary(prenominal) characters lives. Scenes involving Carl Hanratty are make in blacks, grays, and whites to encourage thoughts of loneliness. Abagnales scenes, however, are done in bright neon, blues, and whites. These scenes are meant to be fun and light with an unacquainted(p) quality that reminds us of our own childhood, and also tricks us into believing that thieving millions of dollars is somehow okay and justifiable. As Much as tone and show affect the character of the movie, nothing plays a bigger role than the setting.The late 1950s and early 1960s are portrayed in this film as a time of innocence, where a simple switch in wardrobe changed the man. The era of three piece suits and hats was one marked by sharp class divisions. Both children and adults wore various uniforms throughout their daily lives. carriage was everything in the late fifties, or so Spielberg would have us believe. merely by picking up a briefcase and putting on a dark hat Abagnale went from playboy to businessman.This is not unlike today where each subculture has their own particular uniform, though I believe we are more discerning than our grandparents that could just be wishful thinking on my part. all(prenominal) subculture has its own uniform whether they are punks, hippies, or preppies and generally follow it, our posit to blend in with the herd fulfilled. A haircut and a shave make a grungy hippie into an upstanding member of society in the eyes of all. We have a need to label and erupt all things in neat categories. Abagnale used this need to his advantage and exploited it with the direction of a teenager.The innocence of the times also played an important role. concourse wanted to trust Frank Abagnale and to believe there was nothing cover behind his smile. A piece of paper and a ready wit were all Abagnale needed to become a doctor and assistant territorial dominion attorney of Louisiana. It is appealing to think that when one tired of a biography they simply moved on to another and learned on the job, especially careers as glamorous as those shown in Catch Me If You Can. Hanratty, once again, plays the foil and proves this particular point. A man who works tirelessly and does nothing but good is treated with disdain by everyone he comes in take on with. He lives asolitary existence, arresttedly self-imposed, takes little joy in life, and tirelessly pursues Abagnale for years. He lives in sordid place while the pitiful lives the high life.What does this say about our society as a whole? Do we glorify the rogue who breaks all our laws but does it with such style? Do we degrade those that maintain our laws? We do. We like those who break the laws and live foreign life. This is demonstrated by one particular line delivered by Abagnale Sr., played by Christopher Walken, Where are you going tonight Frank? Some place exotic? Tahiti? Paris? Youre winning Frank and dont you ever stop.Catch Me If You Can was a major hit when released and it is easy to see wherefore. Steven Spielberg has taken an interesting story and added his own personal bit to create a movie which is engrossing, yet incredibly easy viewing. The movie also has a cast to die for, which is another reason why it succeeds in every possible way. I will also admit that the ending is very nice and quite unexpected, the kind that actually brings a wide smile to the audiences face. I think the real Frank Abagnale, Jr. is pleased with this film. It proves that even the most sneaky number could be real likable.