Issues of Mannerism Essay -- Essays Papers

Issues of affectednessThe drive in moving picture that is now referred to as Mannerism began in Italy around 1520, influenced creative persons throughout Europe, and lasted until the arrest of the 16th degree centigrade. The subterfugeiculate Mannerism originates from the Italian word maniera which translates into the English word style. The basis of Mannerism then is style its a ut well-nigh of art where the focus was on grace and beauty. While preceding trends of metempsychosis art looked to nature to find their style, working to perfect it, Mannerists manipulated nature creating a gross perfection of human form, exemplificationizing forms to the point of abstraction. Definitions of Mannerist art as sound as the reasons for its appearance as a movement are lock up contested today. For a definition of mannerism to have validity, it must provide a valid origination of the movement. Much is revealed when the reasons behind a certain(prenominal) chaste expression are clear. Until the 19th century, Mannerist art was considered by most to be perverse and capricious. It was considered simply an excessive use of a special(prenominal) manner of which contained qualities that were strange and unjustified. It was thought that extravagance, a need for increased productivity, and a lack of artistic knowledge led to the Mannerist style. In the early representative of the 20th century, these generalizations were considered unfair, and many new theories about the origins of Mannerism surfaced. Some theories fire that artists were displaying a conscious deviance, painting against the rules of classical art, and rebelling against the High Renaissance and the ideal of naturalness. The spiritual unrest of the age is often considered the root of this deviant artistic behavior.John Shearman points out in Mannerism that the wars of the early 16th century created a period of economic and social disturbance creating the growth of Mannerist style. He sa ys most works of art are insulated in the mind of the artist even from his personal crises, joys and tragedies (40). More reasonable, he says, are explanations of Mannerism in terms of sociological and religious influences. There was a new festering in patronage during this period where works were commissioned for no separate reason than to have a work made by a certain artist. Many times the subject, and/or the medium were to be dogged upon by the artist. Rosso Fiorentinos Desc... ...tle Mannerism creates the illusion that it was a conscious movement like one of the 19th or 20th centuries. Mannerism didnt have a focus, the artists werent working toward a common goal. The artists of Mannerism were influenced by all that came before them antiquity, their predecessors and artistic peers, but Mannerists were most importantly looking toward the future and their own imaginations. Artists were for the first time were creating art for the pursuit of art. The goal of art was no longer intended completely as social or religious propaganda to be determined by the patron. Mannerist art was influenced by imagination and based on fantasy, and it was largely aimed at the use of goods and services of an audience. Works CitedTansey, Richard G. and Fred S. Kleiner. Gardners Art Through the Ages. Fort Worth Harcourt Brace, 1996.Janson, H.W. and Anthony F. Janson. storey of Art. New York Harry N. Abrams, 1997.Fenton, James. Introduction. Les Miserables. By Victor Hugo. New York Dewynters, 1997.Waldman, Diane. Roy Lichtenstein. New York Rizzoli International, 1993.Waldman, Diane. Roy Lichtenstein. Austria Solomon R. Guggenheim Foundation, 1969.